go between films

go between films

Posts Tagged ‘DVD’

Watermarks · 2013

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Documentary

Watermarks

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Luc Schaedler | go between films gmbh
CH 2013 | 80 | EN, DE, FR, Chin

Based on three different places, the documentary portrays the infractions to which people living in modern day China are subjected due to rapid developments: in the deceptively idyllic Jiuxiancun in the rainy south; in the apocalyptic coal mining site of Minqin and Wusutu in the parched north; and in Chongqing, the megacity on the Yangtze River.

The protagonists give their moving accounts of an unresolved past, an uncertain present and their tentative steps into the future. The film thus paints a complex image of the mental state of the people in this complicated country. “Watermarks” is a subjective snapshot in time that takes a poetic look at the changing everyday life in China.

«Since the crushing of the democracy movement in 1989, I have followed the upheaval in China with equal parts amazement and irritation: the country looks like a huge construction site and seems to be involved in a precipitous search for itself. In this unstable present the protagonists are taking tentative but courageous steps into the future.»
Luc Schaedler

→ WaMa: Statement director
→ WaMa: Locations China
→ WaMa: Downloads (photos & presskit)

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Video On Demand

Watermarks · 2013 - go between films - video on demand

Watermarks (2013)
en, de, fr

 

→ click here  

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→ FESTIVALS (selection):

– Locarno, Semaine de la critique (Competition)
– Warszawa, Planete + Doc (Competition)
– Istanbul, TRT Awards (Best Documentary)
– Dublin, Silk Road Film Festival (Best Documentary)
– München DOK.fest competition
– San Francisco, Golden Gate Awards
– Solothurner Filmtage official selection

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LINKS:

→ The Funeral (Clip)
→ Swiss Films Promotion Agency
→ imdb.com – Watermarks
→ Facebook – Watermarks

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PLAYLIST (10 Clips):

Unpublished scenes from Watermarks · 2013

    Watermarks · 2013 - luc schaedler - watermarks-2013

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    Logo Link to Vimeo on Demand       YouTube Logo to go between films channel

     

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    Angry Monk · 2005

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    Documentary

    Angry Monk

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    Luc Schaedler | go between films
    CH 2005 | 97 | EN, DE, FR, Tib

    Tibet — the mystical roof of the world, peopled with enlightened monks? Only one of them wouldn’t toe the line: Gendun Choephel, the errant monk who left the monastic life in 1934 in search of a new challenge. A free spirit and multifaceted individual, he was far ahead of his time and has since become a seminal figure, a symbol of hope for a free Tibet. A rebel and voluble critic of the establishment, Gendun Choephel kindled the anger of the Tibetan authorities.

    The cinematic journey through time portrays the life of this unorthodox monk, revealing a face of old Tibet that goes against popular clichés. The film makes an abundance of unique and rare historical footage available to the general public for the first time.

    But it does not dwell on the past; rather it skilfully oscillates between tradition and modernity. Archival images of ancient caravans and monasteries give way to scenes of discos and multi-lane highways in Lhasa, where pilgrims pros- trate themselves as they circle the holy temple. ANGRY MONK offers a fascinating insight into a country whose eventful past is refracted in the multiplicity and contradictions of everyday life.

    Ultimately, the documentary «Angry Monk» also tells the story of a man who left home to search for something that could have liberated traditional Tibet from its rigidity. An outsider who was always open to new things, he eventually became a stranger in his homeland and homeless in foreign lands — a wanderer between worlds.

    (The documentary «Angry Monk» was also the main part of my Ph.D. in Visual Anthropology at the University of Zurich)

    → Ph.D.: ANGRY MONK: Literary, Historical, and Oral Sources for a Documentary Film (2007)

    → Gendun Choephel Conference at the Latse Library, New York

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    → AM: Statement director
    → AM: Interview director
    → AM: Bio of Gendun Choephel
    → AM: Texts of Gendun Choephel
    → AM: Downloads
    (photos & presskit)

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    Video On Demand

    Angry Monk (2005) link to Vimeo On Demand

    Angry Monk (2005)
    en, de, fr

     

    → click here  

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    PLAYLIST (9 Clips):

    Unpublished scenes from Angry Monk · 2005

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    → FESTIVALS (selection)

      – Sundance, Nomination Grand Jury Award
      – Busan (Competition)
      – Vancouver (Competition)
      – Montréal, Festival Nouveau Cinema (Competition)
      – München DOK.fest (Competition)
      – Melbourne (Competition)
      – Auckland (Competition)
      – Solothurner Filmtage official selection

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      LINKS:

      → Film Review – San Francisco Chronicle
      → Film Review – Indiewire
      → Film Review – Phayul
      → More on Gendun Choephel
      → Swiss Films Promotion Agency
      → imdb.com – Angry Monk

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      Poster of Angry Monk (2005) link to Vimeo On Demand

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      Video On Demand

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      Streaming

      go between films

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      Links to the Video On Demand Website where the documentaries and videos of «go between films» can be bought or rented in different language versions.

      · Watermarks (2013)
      · Angry Monk (2005)
      · Made in Hong Kong (1997)
      → Available worldwide

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      · A Long Way Home (2018)
      → Available in Switzerland

      Rent from USD 5 | CHF 5 | € 4.50
      Buy from USD 12 | CHF 12 | € 11
      → Credit Card or PayPal

      video-on-demand - a long way home 2018 - video on demand

      A Long Way Home (2018)
      en, de, fr

       

      → click here  

       

       

      → Available in Switzerland

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      → For international sales
      of «A Long Way Home»:

      DER web logo for light background

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      Available Worldwide ↓

      video-on-demand - watermarks 2013 - video on demand

       

      Watermarks (2013)
      en, de, fr

       

      → click here  

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      video-on-demand - angry monk 2005 - video on demand

       

      Angry Monk (2005)
      en, de, fr

       

      → click here  

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      video-on-demand - made in hong kong 1997 - video on demand

       

      Made in Hong Kong (1997)
      en, de, fr

       

      → click here 

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      dvd-selection - go between films

       

      → click here 

       

       

      The documentaries of «go between films» (Luc Schaedler) can also be bought as DVD in different language versions.

      Each DVD: USD 25 + USD 5 (shipping)
      Total: USD 30 | CHF 30 | € 25
      • Credit Card or PayPal needed

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      vide on demand - go between films - video-on-demand

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      DVDs – Selection

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      DVDs

      go between films

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      A selection of documentaries and videos of «go between films» can be bought as DVDs in different language versions (all territories):

      · Watermarks (2013)
      · Angry Monk (2005)
      · Made in Hong Kong (1997)
      → Available worldwide

      ––––––––––––––––––––––––––––––––––––––––––––––––

      · A Long Way Home (2018)
      → Available in Switzerland

      Each DVD: USD 25 + USD 5 (shipping)
      Total: USD 30 (appr. € 25 | CHF 30)
      → Credit Card or PayPal needed

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      DVDs - Selection - a long way home - go between films - dvds-selection

      A Long Way Home (2018)


      Buy Now Button

      English

      Buy Now Button

      German

      Buy Now Button

      French

      → Available in Switzerland

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      → For international sales of «A Long Way Home»

      DVD Selection - go between films - DVD-Selection

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      Available Worldwide ↓

      DVDs - Selection - watermarks - go between films - dvds-selection

      Watermarks (2013)

      en, de, fr, chin
      60 mins. Bonus

      Buy Now Button

       

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      DVDs - Selection - angry monk - go between films - dvds-selection

      Angry Monk (2005)

      en, de, fr, tib
      60 mins. Bonus


      Buy Now Button

       

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      DVDs - Selection - made in hong kong - go between films - dvds-selection

      Made in Hong Kong (1997)


      Buy Now Button

      English

      Buy Now Button

      German

      Buy Now Button

      French

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      Video On Demand

      Link to the Vimeo On Demand Page of «go between films» where the documentaries and videos can be bought and rented in different language versions:

      Rent from USD 5 (approx. CHF 5 | € 5)
      Buy from USD 12 (approx. CHF 12 | € 12)
      • Credit Card or PayPal

      DVDs - Selection - vimeo - go between films - dvds-selection

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      ALWH – Protagonists

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      A Long Way Home

      Protagonists

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      In A Long Way Home (alwh), the connecting element and main theme of the artistic works of  the protagonists Wen Hui, Pi San, Ye Fu and the Gao Brothers is a demand for the reconstruction of humanity throughout Chinese society. Looking back at their personal family histories, and thus recent Chinese history, takes on greater significance within the backdrop of their unease toward present-day Chinese society. Actively remembering is an important part of their work as they try to fathom the roots of present-day problems. Like researchers, they explore the possibilities of collective healing in their work. Luc Schaedler

       

      WEN HUI – choreographer | dancer

      In China, Wen Hui is considered the mother of modern dance. For years she has explored the topic of memory. In her current piece «Red», based on the propagandist ballet of the same name from the Cultural Revolution (1966-76), she processes the physical impact of this traumatic era.
      ALWH - Protagonists - go between films - ALWH-Protagonists

       

      PI SAN – animation artist

      Pi San is known to millions in China for his subversive animated film series, which have caused a sensation on the Internet. Through his mischievous cartoon character «Kuang Kuang» he exposes the injustices and absurdities of everyday life in China. In doing so he must constantly gauge how far he can go with his criticism.
      ALWH - Protagonists - go between films - ALWH-Protagonists

       

      YE FU – writer | poet

      The former police officer, who resigned in 1989 in protest against the suppression of the Democracy Movement, has made a name for himself in recent years with his autobiographical essays and blog articles which loudly demand political change.
      ALWH - Protagonists - go between films - ALWH-Protagonists

       

      GAO BROTHERS – visual artists | painters

      Gao Zhen and Gao Qiang, known internationally as the Gao Brothers, have been around since the birth of the modern Chinese art scene in 1985. They belong to the group of critical avant-garde artists whose work reflects the complexity of recent Chinese history and the «human condition» in a globalised world.
      ALWH - Protagonists - go between films - ALWH-Protagonists

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      ALWH - Protagonists - go between films - ALWH-Protagonists       ALWH - Protagonists - go between films - ALWH-Protagonists

       

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      ALWH – Background

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      A Long Way Home

      Historical Background

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      The struggle of man against power is the struggle of memory against forgetting.
      Milan Kundera

      The Heart of Darkness

      The historical background of A Long Way Home is made up of two defining phases in recent Chinese history: the Democracy Movement of 1989 and the Cultural Revolution of 1966-1976. Beginning with present-day China, «A Long Way Home» moves deeper into the «heart of darkness» of Chinese history. The focus is on how people handle historical and biographical ruptures and how they process traumatic experiences.

      Cultural Revolution

      During the Cultural Revolution (1966-76), systematic violence was employed to eliminate everything private and to destroy social relationships. Mao Zedong and the Party relied on betrayal, public humiliation, self-incrimination, and re-education in everyday life. Mistrust and deep insecurity continue to shape relationships among people in China today.

      ALWH-Background - a long way home - ALWH - Background

      Top Party officials are denounced during rally in Red Guard Square, Harbin 1966

      Tiananmen, 1989

      In the film, the Democracy Movement of 1989 stands in direct opposition to the Cultural Revolution. What began as a student protest in Beijing soon grew into a sweeping movement uniting people of diverse social backgrounds. The first spontaneous mass movement outside party structures, it showed initial signs of a possible civil society that would not be able to germinate until after Mao’s death.

      ALWH-Background - Tiananmen Tankman 1989 - ALWH - Background

      © Gao Brothers, Beijing: The Tankman, 1989 

      Outlook

      The violent suppression by the People’s Army was a clear sign from the regime that the protest was not welcome and that public criticism of the Party would not be tolerated – a condition that continues to this day.

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      ALWH-Background - Vimeo on Demand - go between films       ALWH-Background - YouTube - go between films

       

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      ALWH – Downloads

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      A Long Way Home

      Downloads

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      ↓ Presskit (english)
      ↓ Dossier de presse (français)
      ↓ Presseheft (deutsch)

      ↓ Filmstills

      → Click on image
      → Image opens in browser
      → 
      Choose «Save as»
      → Select downloads location
      → Save

      ALWH-Downloads

      Gao Brothers – visual artists

       

      Pi San interview

      Pi San – animation artist

      ALWH-Downloads

      Wen Hui – dancer

      Ye Fu writer

      Ye Fu – writer

      ALWH-Downloads

      Gao Zhen – cooks

      Gao Zhen interview

      Gao Zhen – interview

      ALWH-Downloads

      Gao Zhen

      Gao Brothers Hitler

      Gao Brothers – Hitler

      ALWH-Downloads

      Pi San – models

      Wen Hui watching

      Wen Hui

      ALWH-Downloads

      Wen Hui – screen

      Wen Hui interview

      Wen Hui – interview

      Ye Fu lake

      Ye Fu – lakeside

      ALWH-Downloads

      Ye Fu – interview

       

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      ↓ ARTIKEL: Ethik im Dokumentarfilm (deutsch)
      Kaleo La Belle (Fell in Love with a Girl) und Luc Schaedler (A Long Way Home) discuss the question of ethics and responsability in documentary filmmaking with Till Brockmann.

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      ALWH-Downloads - Vimeo on Demand - go between films       ALWH-Downloads - YouTube - go between films

       

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      AM – Interview Director

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      Angry Monk

      Luc Schaedler

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      Interview with director
      by Till Brockmann, 2005

       

      Why did you chose the title «Angry Monk»?

      A monk is not supposed to be angry. The title is thus contradictory and provocative and that’s intentional; this contradiction is part of what the movie is about. The way the West sees Tibet has more to do with our own projections than with reality. Interestingly, in German and English there is a note of irony in the title which gets completely lost in the Tibetan translation. I found out that the title cannot really be translated into Tibetan. Apparently the combination of «angry» and «monk» is not planned…

      Why a film about Tibet?

      I travelled a lot in Asia and I often passed through Tibet. I first went to Tibet in 1989, shortly after the Tiananmen massacre in Bejing – during the time of the Lhasa uprisings. I also worked on Tibetan issues during my anthropology studies at university. A part of me is always on the road, seeking an encounter with all things foreign. My film is surely also the result of this personal interest, a way to give it a shape. But it also has purpose to actively participate in a specific discourse, the discussion that the West had long been having about Tibet.

      Why a road movie?

      It was the idea from the beginning. Somehow that’s the point of the whole story. Because in a broader sense the whole life of Gendun Choephel, the central figure, was a journey. A journey from the border provinces to the city of Lhasa. From there he went abroad and came back again. Apart from this outer journey, there was the inner journey of a man who, agile-minded as he was, always remained «on the road».

      And furthermore, as already mentioned, the film is structured like that because I got to know Tibet as a traveller, too. Finally, a last aspect, the film is a dialogue with the past which is also a kind of travelling, time-travelling so to speak: the film moves back and forth between present and past that mirror each other…

      What about a permission to film?

      I was aware from the beginning that the authorities would have informants and therefore always knew what was going on. Thus, shooting secretly and getting an official permit for a bigger project were out of question. For that reason I had the idea to work with a small and unobtrusive team; actually, just the cameraman Filip Zumbrunn and me. We behaved like tourists, like teachers who wanted to show the video material to their students back home.

      Partly we were shooting the usual stuff: markets, monasteries, like all tourists do… (smiling), but we were really lucky, too; if we had been searched at some point and they would have found all the many videocassettes, who knows… But even if the film is critical of China, I clearly never meant to make a film against China. What I am interested in is the inner dynamics of Tibet and in this regard China is just one of the factors. After all I’m critical of Tibetan culture as well.

      What do you mean by that?

      First of all, I’m very critical of the one-sided way the West looks at Tibet: as a spiritual refuge, an inspiration for the mind… some managers even go to Buddhist monasteries to prepare for the next round of globalization debates. A lot of damage is done by reducing Tibet to a peace-loving pseudo-paradise, perceiving it as «Shangri-la» with all the Tibetans having a spiritual message ready for us. I believe this harms the struggle for Tibetan indepence. Furthermore, I find the romanticizing of the past rather problematic, though Tibet gets idealized not only in the West but by Tibetans as well.

      For instance, hardly 5% of the people controlled the whole country and the mingling of religion and politics developed into an unholy alliance of the aristocracy and the monastic establishment. This prevented necessary reforms and a policy of openness. Such things are often forgotten. Gendun Choephel and many others as well, such as the predecessor of the present Dalai Lama, were open for change but they failed time and again with their ideas because of the opposition of conservative forces who of course defend their privileges.

      Was your critical approach intentional?

      Yes, of course. There are so many films full of admiration for the monasteries, for the lamaism and also for the nomadic society which has been celebrated as a remnant of an age-old, intact culture. Similarly, I dislike political reports that make us believe that Tibet is a destroyed culture and that any resistance against the Chinese is defeated or futile in the end.

      But the situation is more complex and indeed a paradox: on the one hand so much has been destroyed since the invasion in 1950, especially during the cultural revolution it was done with meticulous precision. On the other hand, the Tibetans prove every day that there is a life under the Chinese. They have preserved their culture and language, they have kept alive more than one thinks. For instance, many of Gendun Choephel’s writings and paintings featured in my film, have been preserved in Tibet. In this sense Gendun Choephel becomes part of this «survival».

      What I mean to say is that the Tibetans shouldn’t be perceived just as victims but as a people who have managed very cleverly to resist the Chinese and who will go on showing their subversive spirit. I never intended to make a purely biographical film on Gendun Choephel, but he serves as a key to the understanding of the history and the complex present of Tibet. Choephel was a man with many sides who had fought for change and at the same time remained a Buddhist all his life. He never turned his back to his own culture.

      I deliberately chose to have only Tibetans speak about Gendun Choephel in my film: old people who knew him and other Tibetans of a later generation. At the end I cut out all the Western scholars and Tibet experts whom I had interviewed as well…

      Why is the Dalai Lama missing?

      I did this on purpose. Probably it would have been easy enough to get an interview with him. But I didn’t want his presence to dominate the film and the other interview partners to be pushed to the background. No matter what he would have said about Gendun Choephel, it would have been a confirmation for many that the film is justified. I didn’t want that, I didn’t want to have this «offical stamp». In my view it is very important that there is a parallel discussion on Tibet which doesn’t rely exclusively on the voice of the Dalai Lama.

      AM-Interview-Director - Angry Monk - Luc Schaedler

      Luc Schaedler, shooting of «Angry Monk», 2001

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      AM-Interview-Director - Angry Monk - Luc Schaedler - Vimeo on Demand - go between films       AM-Interview-Director - Angry Monk - Luc Schaedler - YouTube - go between films

       

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      AM – Poems Gendun Choephel

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      Angry Monk

      Some Poems of Gendun Choephel

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      On British colonialism
      Calcutta 1941

      Sponsored by kings and ministers
      the colonialists sent out
      a great army of bandits,
      calling them traders.

      They introduced
      new forms of living,
      but their laws
      were only good
      for the educated and wealthy.

      As for the poor,
      their small livelihoods
      are sucked like blood
      from all their orifices.

      It is in this way
      that the so-called wonders
      of the world were built,
      such as railroads and high buildings.

      I am an astute beggar,
      who spent his life listening.
      I know what I’m talking about.

       

      From his Notebook
      Tibet 1946

      In Tibet
      Everything that is old
      Is a work of Buddha
      And everything that is new
      Is a work of the Devil
      This is the sad tradition of our country

       

      The World is flat
      Tibet Mirror Press, 1938

      In olden days,
      even in Europe,
      the world was thought to be flat.

      And when some intelligent people
      claimed the opposite,
      they were exposed to various difficulties,
      such as being burnt alive.

      Today, even in Buddhist countries
      everybody knows,
      that the world is round.

      However in Tibet,
      we still stubbornly state
      that the world is flat.

       

      Foreword of his Kamasutra translation
      Calcutta 1939

      As for me
      I have little shame
      I love women.

      Every man has a woman
      Every woman has a man
      Both in their mind
      Desire sexual union

      What chance is the for clean behaviour?
      If natural passions are openly banned
      Unnatural passions will grow in secrecy

      No law of religion
      No law of morality
      Can suppress the natural passion of mankind

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      Gendun Choephel’s Poems
      translated by Donald Lopez Jr.

      (University of Chicago Press)

      AM-Poems-Gendun-Choephel - Angry Monk - AM - Poems Gendun Choephel

      Gendun Choephel, 1940’s

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      AM-Poems-Gendun-Choephel - Vimeo on Demand - go between films - AM - Poems Gendun Choephel       AM-Poems-Gendun-Choephel - YouTube - go between films - AM - Poems Gendun Choephel

       

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      AM – Downloads

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      Angry Monk

      Downloads – Promotion

      ––––––––––––––––––––––––––––––––––––––––––––––––

      ↓ Presskit (english)
      ↓ Presseheft (deutsch)
      ↓ Dossier de presse (français)

      ↓ Filmstills

      → Click on image
      → Image opens in browser
      → 
      Choose «Save as»
      → Select downloads location
      → Save

      AM-Downloads - angry monk - promotion - AM - Downloads

      Novices, Yama Tashi Kyil

       

      AM-Downloads - angry monk - promotion

      Monk, Yama Tashi Kyil

       

      AM-Downloads - angry monk - promotion - AM - Downloads

      On the Road, Tibet

       

      AM-Downloads - angry monk - promotion

      Monk, Yama Tashi Kyil

       

      AM-Downloads - angry monk - promotion

      Hindu Pilgrim, Varanasi, Indien

       

      AM-Downloads - angry monk - promotion - AM - Downloads

      Filip Zumbrunn, DoP

       

      AM-Downloads - angry monk - promotion

      Luc Schaedler, Director

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      AM-Downloads - Vimeo on Demand - go between films       AM-Downloads - YouTube - go between films

       

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